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dc.contributor.authorAguirre Santos, Javier
dc.contributor.authorLavilla de Lera, Jonathan
dc.date.accessioned2024-01-19T17:05:14Z
dc.date.available2024-01-19T17:05:14Z
dc.date.issued2018
dc.identifier.citationFilozofia 73(2) : 108-118 (2018)es_ES
dc.identifier.issn0046385X
dc.identifier.issn2585-7061
dc.identifier.urihttp://hdl.handle.net/10810/64136
dc.description.abstractThe critique of the poetry in Plato’s Ion unfolds in a clearly political context in which, in contrast to the old model of knowledge represented by poetry, Plato presents a new model, identified with philosophy, which questions the legitimacy of poets and rhapsodists as competent guides of the polis and citizens. In this critique, the characters and dramatic elements of dialogue are fundamental. Thus in Ion and Socrates the Athenian philosopher brings together all the characteristics that describe a real rhapsodist of that time as well as the philosophical activity of the historical Socrates.es_ES
dc.language.isoenges_ES
dc.publisherSlovak Academy of Scienceses_ES
dc.rightsinfo:eu-repo/semantics/openAccesses_ES
dc.rights.urihttp://creativecommons.org/licenses/by-nc/4.0/
dc.subjectEnthousiasmós (divine inspiration)es_ES
dc.subjectIones_ES
dc.subjectPlatoes_ES
dc.subjectPoetryes_ES
dc.subjectrhapsodistes_ES
dc.subjecttéchne (craft)es_ES
dc.titleThe Philosopher against the Rhapsodist. Socrates and Ion as Characters in Plato’s Iones_ES
dc.typeinfo:eu-repo/semantics/articlees_ES
dc.rights.holder(c) CC BY-NC 4.0es_ES
dc.relation.publisherversionhttps://filozofia.sav.sk/en/view/details/regular/2018/2/322es_ES
dc.contributor.funderUniversity of the Basque Country (UPV-EHU)
dc.departamentoesFilosofíaes_ES
dc.departamentoeuFilosofiaes_ES


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(c) CC BY-NC 4.0
Except where otherwise noted, this item's license is described as (c) CC BY-NC 4.0