dc.contributor.author | Muñiz Petralanda, Jesús | |
dc.date.accessioned | 2022-09-08T11:21:41Z | |
dc.date.available | 2022-09-08T11:21:41Z | |
dc.date.issued | 2022 | |
dc.identifier.citation | Ars Bilduma 12 : 163-164 (2022) | |
dc.identifier.issn | 1989-9262 | |
dc.identifier.uri | http://hdl.handle.net/10810/57649 | |
dc.language.iso | spa | |
dc.publisher | Servicio Editorial de la Universidad del País Vasco/Euskal Herriko Unibertsitatearen Argitalpen Zerbitzua | |
dc.rights | info:eu-repo/semantics/openAccess | |
dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/4.0/ | |
dc.title | MERCIER, Emmanuelle; DE BOLDT, Ria; KAIRIS, Pierre-Yves (eds.):Flesh, Gold and Wood. The saint-Denis altarpiece in Liège and the question of partial paint practices in the 16th century. Proceedings of the Conference held at the Royal Institute for Cultural Heritage in Brussels, 22-24 October 2015. Bruselas, Instituto Real de Patrimonio Artístico; Sciencia Artis, 18, 2020. 483 pp.,ISBN: 978-2-930054-40-7 | |
dc.type | info:eu-repo/semantics/other | |
dc.rights.holder | © 2022 UPV/EHU Atribución-No Comercial-No Derivadas 4.0 Internacional | |
dc.identifier.doi | 10.1387/ars-bilduma.23707 | |