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XIV Congreso de AEDEAN : Asociación Española de Estudios Anglo-Norteamericanos : Vitoria-Gasteiz 17-19 de diciembre de 1990
(Universidad del País Vasco/Euskal Herriko Unibertsitatea, Servicio de Publicaciones, 1992)
[ES] La presente obra recoge las conferencias pronunciadas y las comunicaciones presentadas en el XIV Congreso de A.E.D.E.A.N., que se celebró en Vitoria-Gasteiz entre los días 17 y 19 de diciembre de 1990. Ofrecemos también ...
Mapping translated theatre in Spain through censorship archives
(Routledge, 2017-09-19)
[EN] This chapter aims to evaluate the usefulness of the Spanish censorship archives, mainly the General Administrative Archive (AGA – Archivo General de la Administración), for research into the history of translated ...
Arthur Miller's A View From the Bridge in Spanish
(DigitalCommons@Providence, 1994-03)
The comparative study of two published Spanish translations of Arthur Miller's A view from the bridge challenges the concepts of page-oriented or stage-oriented translation but also the concepts of drama translation and ...
From catalogue to corpus in DTS: translations censored under Franco. The TRACE Project
(Universidad de La Laguna, 2005)
[EN] Selecting representative textual corpus for descriptive comparative work in DTS has always been considered a key matter. When dealing with translations censored (TRACE) in Franco’s Spain, the analysis of the information ...
The censorship of theatre translations under Franco: the 1960s
(Taylor & Francis, 2016-01-14)
[EN] Over the last decade, Spain's censorship records have been used by translation studies scholars as the main source to reconstruct the history of translated culture. Censorship archives are virtually the only source ...
Translation and Censorship under Franco and Salazar: Irish Theatre on Iberian Stages
(Routledge, 2017-03-16)
[EN] For most of the 20th century the totalitarian regimes of Franco in Spain (1939-1975) and
Salazar in Portugal (1933-1974) influenced Spanish and Portuguese cultural production, and
theatre life in particular. Both ...
A framework for the description of drama translations
(Universidad de La Laguna, 1994-11)
[EN] The purpose of this paper is to to propose a framework for the description of translated playtexts. The object of study is (interlingual) translations (from the 1950s to the 1980s, English into Spanish) rather than ...
El hombre de La Mancha: de Broadway a Madrid
(2021-02-25)
[EN] Written by Dale Wassermen, Man of La Mancha is a musical play based on the work of Cervantes, which premiered in New York in 1965 and later in Madrid in 1966, with playwright José López Rubio’s Spanish translation. ...
Building TRACE (translations censored) theatre corpus: some methodological questions on text selection
(Cambridge Scholars Publishing,Newcastle, U.K., 2010)
[EN] Many of the theatre translations that were published, performed or shown in the Franco period are still part and parcel of Spanish culture now, with very few updates.
Theatre translation catalogues compiled under the ...
Censorship, translation and integration in the theatre of the Franco era: José López Rubio, theatrical figure and translator
(Taylor and Francis, 2016)
[EN] Spanish theatre professionals were responsible for the integration of foreign theatre in Spanish stages in Francoist Spain. The role of theatre translators, or of Spanish playwrights-translators, has been seldom ...