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dc.contributor.advisorDe Pablo Contreras, Santiago ORCID
dc.contributor.authorArribillaga Trebolazabala, Iratxe
dc.contributor.otherF. LETRAS
dc.contributor.otherLETREN F.
dc.date.accessioned2017-11-24T17:02:24Z
dc.date.available2017-11-24T17:02:24Z
dc.date.issued2017-11-24
dc.identifier.urihttp://hdl.handle.net/10810/23733
dc.description.abstractThis written work attempts to analyse the importance of cinematography in the shaping of ideological ideas in North and South Korea. In order to do that, two movies with similar plots about the Korean War were examined, one for each country, and afterwards, the imagery of those is delved into. This paper will contrast the image North Korean soldiers have in both movies as well as the representation of women. This work also considers the moral values thrown in North Korean’s movie society in addition to the influence of cinema in the creation of the idea of anti-communism in South Korea.es_ES
dc.language.isoenges_ES
dc.rightsinfo:eu-repo/semantics/openAccess
dc.subject20th centuryes_ES
dc.subjectcinemaes_ES
dc.subjectKorean wares_ES
dc.subjectPiagoles_ES
dc.subjectorder nº 21es_ES
dc.subjectNorth Koreaes_ES
dc.subjectSouth Koreaes_ES
dc.subjectKoreaes_ES
dc.subjectcinematographyes_ES
dc.titleWar and cinema in the 20th Century. North and South Korean imagery in the Post-War filmographyes_ES
dc.typeinfo:eu-repo/semantics/bachelorThesis
dc.date.updated2017-06-05T06:08:39Z
dc.language.rfc3066es
dc.rights.holder© 2017, la autora
dc.contributor.degreeGrado en Historiaes
dc.contributor.degreeHistoriako Graduaeu
dc.identifier.gaurregister77635-730704-09
dc.identifier.gaurassign55122-730704


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