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dc.contributor.authorPadilla Moyano, Manuel
dc.date.accessioned2024-01-17T17:03:17Z
dc.date.available2024-01-17T17:03:17Z
dc.date.issued2015
dc.identifier.citationLanguage Variation – European Perspectives V : 169-182 (2015)es_ES
dc.identifier.isbn978-90-272-3497-1
dc.identifier.isbn978-90-272-6881-5
dc.identifier.issn1872-9592
dc.identifier.urihttp://hdl.handle.net/10810/64068
dc.description.abstractThis contribution deals with a recently discovered Basque correspondence which poses new research questions. The letters, written in Labourdin dialect in 1757, provide insight into the practice of writing, depicting an unexpected panorama of literate women and semi-professional scribes. Because of their nature, these records attest to some linguistic features lacking in the printed tradition of Labourdin. The goal of this paper is to discuss the linguistic importance of these newly discovered letters and, in particular, to show how they change our understanding of the history of the language. To that end, I focus on differences between the language used in literary texts and private correspondence. As an example of this divergence between literary texts and personal letters, I analyze two epenthesis rules: the insertion of a [β] after u and the insertion of [ʝ] after i.es_ES
dc.description.sponsorshipGobierno Vasco [BFI 2010/018]es_ES
dc.language.isoenges_ES
dc.publisherJohn Benjaminses_ES
dc.rightsinfo:eu-repo/semantics/openAccesses_ES
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/3.0/es/*
dc.titleA new view of Basque through eighteenth-century correspondencees_ES
dc.typeinfo:eu-repo/semantics/conferenceObjectes_ES
dc.rights.holder(c) 2015 John Benjamines_ES
dc.relation.publisherversionhttps://doi.org/10.1075/silv.17.13pades_ES
dc.identifier.doi10.1075/silv.17.13pad
dc.contributor.funderGobierno Vasco (BFI 2010/108)
dc.departamentoesLingüística y estudios vascoses_ES
dc.departamentoeuHizkuntzalaritza eta euskal ikasketakes_ES


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(c) 2015 John Benjamin
Except where otherwise noted, this item's license is described as (c) 2015 John Benjamin