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dc.contributor.authorPeña Fernández, Simón ORCID
dc.date.accessioned2020-12-03T17:15:02Z
dc.date.available2020-12-03T17:15:02Z
dc.date.issued2020-08-12
dc.identifier.citationBright Lights Film Journal : (2020)es_ES
dc.identifier.urihttp://hdl.handle.net/10810/48773
dc.description.abstractBefore Wilder considered his own career as a filmmaker as having begun, and then reached movie fame on the other side of the Atlantic, he left behind a stumbling career as a reporter and a small action movie. Although The Daredevil Reporter (1929) possesses a few explosions that are purely Wilder’s, it is far removed from the style that brought him both commercial success and artistic acknowledgment during Hollywood’s Golden Age. But it continues to remind us that before “Billie” became Billy, Wilder was also a daredevil reporter.es_ES
dc.language.isoenges_ES
dc.publisherBright Lights Film Journales_ES
dc.rightsinfo:eu-repo/semantics/openAccesses_ES
dc.titleThe Daredevil Reporter (Der Teufelsreporter) (1929): Billy/Billie Wilderes_ES
dc.typeinfo:eu-repo/semantics/articlees_ES
dc.rights.holder(c) 2020 Simón Peñaes_ES
dc.relation.publisherversionhttps://brightlightsfilm.com/the-daredevil-reporter-der-teufelsreporter-1929-billy-billie-wilder/es_ES
dc.departamentoesPeriodismo IIes_ES
dc.departamentoeuKazetaritza IIes_ES


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