dc.contributor.author | Tamayo Masero, Ana ![ORCID](/themes/Mirage2//images/orcid_16x16.png) | |
dc.date.accessioned | 2023-11-28T14:25:06Z | |
dc.date.available | 2023-11-28T14:25:06Z | |
dc.date.issued | 2022 | |
dc.identifier.citation | Sign Language Studies 22(3) : 484-519 (2022) | es_ES |
dc.identifier.issn | 0302-1475 | |
dc.identifier.issn | 1533-6263 | |
dc.identifier.uri | http://hdl.handle.net/10810/63187 | |
dc.description.abstract | This article explores current creative practices involving the representation
of sign languages, sign language interpreting, sign language
translation (Napier and Leeson 2016; HBB4ALL 2017; CNLSE
2017; Tamayo 2022), and sign language live translation (Tamayo
2022) in audiovisual content. To that end, a review of the concept
creative sign language and a review of previous publications on
the matter will be provided. Subsequently, the implementation of
creativity at different production stages, and the use of different resources
when sign languages are present in audiovisual content, will
be discussed by analyzing some selected innovative examples (mostly
of practices in Spain). Finally, a taxonomy that takes into account
not only internal creativity (that is inherent to sign languages), but also
collaborative and external creativity. Conclusions will focus on how creative
practices can expand our understanding of different art expressions,
human communication, and inclusion, and can help establish
new and meaningful connections among them. | es_ES |
dc.description.sponsorship | This work is part of the consolidated research group TRALIMA/ITZULIK (IT1209–19), recognized as such by the Basque
Government as well as the ALMA research network (RED 2018–102475-T) recognized by the Ministry of Science, Innovation and
Universities of Spain. This work is also part of The Quality of Live Subtitling (QuaLiSub), a regional, national, and international study funded by the Spanish Ministry of Science and Innovation (ref. PID2020–117738RB-I00). | es_ES |
dc.language.iso | eng | es_ES |
dc.relation | info:eu-repo/grantAgreement/MINECO/PID2020–117738RB-I00 | es_ES |
dc.rights | info:eu-repo/semantics/openAccess | es_ES |
dc.subject | sign language | es_ES |
dc.subject | deaf interpreting | es_ES |
dc.subject | translation | es_ES |
dc.subject | creativity | es_ES |
dc.subject | foreign countries | es_ES |
dc.subject | audiovisual aids | es_ES |
dc.subject | language usage | es_ES |
dc.subject | subtitles & subtitling | es_ES |
dc.title | Sign Languages, Translation, and Interpreting: Creative Practices in Audiovisual Content | es_ES |
dc.type | info:eu-repo/semantics/article | es_ES |
dc.rights.holder | Gallaudet University Press | es_ES |
dc.relation.publisherversion | https://muse.jhu.edu/article/857294 | es_ES |
dc.identifier.doi | 10.1353/sls.2022.0003 | |
dc.departamentoes | Filología Inglesa y Alemana y Traducción e Interpretación | es_ES |
dc.departamentoeu | Ingeles eta Aleman Filologia eta Itzulpengintza eta Interpretazioa | es_ES |