dc.contributor.author | Cossio, Andoni | |
dc.date.accessioned | 2024-04-30T12:43:08Z | |
dc.date.available | 2024-04-30T12:43:08Z | |
dc.date.issued | 2020-12-05 | |
dc.identifier.citation | ISLE: Interdisciplinary Studies in Literature and Environment 29(4) : 1306-1327 (2022) | es_ES |
dc.identifier.issn | 1076-0962 | |
dc.identifier.issn | 1759-1090 | |
dc.identifier.uri | http://hdl.handle.net/10810/66939 | |
dc.description.abstract | J. R. R. Tolkien’s long professional involvement with Sir Gawain and the Green Knight (c. 1400) was at its peak during the writing of The Lord of the Rings (composed between 1937-1949, revised until c. 1954 and published during 1954-1955). Taking the previous fact further, this interdisciplinary paper aims to employ the principles for a meticulous study of Tolkien’s sources (Fisher) in conjunction with ecocriticism (Buell, Cohen, Garrard, Morton, Nichols, Palti, Ralph, Reynolds, Rudd, Simonson, Twomey and Woods) to explore how SGGK influenced LotR. In particular, the journey through the wilderness and the sojourn in the haven of Sir Bertilak’s castle/Hautdesert inside a forest seem to have been borrowed by Tolkien to later incorporate them in the form of the stopover in Caras Galadhon, Lothlórien. The close reading of those passages reveals striking similitudes that cannot be explained unless SGGK is the main source. In both cases, due to the looming natural threats, the narrative justifies Gawain’s and the Fellowship’s wish to find a refuge, which is correspondingly provided by a walled and seemingly protective space. Despite the apparent safety, the protagonists cannot avoid the perilous moral test they will undergo. The most remarkable parallels are those between Gawain and Boromir of Gondor, both of whom fail the trial yet are later revered for their insignificantly stained ethics. The critical lens of ecocriticism becomes key to unearth and analyze the borrowed material and to recover the relevant and central role of the forest in both episodes. | es_ES |
dc.description.sponsorship | This essay was completed under the auspices of the Pre-doctoral Funding (PRE_2017_1_0210 MOD.:A), financed by the Basque Government, and REWEST research group (IT 1026-16), funded by both the Basque Government and the University of the Basque Country (UPV/EHU). | es_ES |
dc.language.iso | eng | es_ES |
dc.publisher | Oxford University Press | es_ES |
dc.rights | info:eu-repo/semantics/openAccess | es_ES |
dc.subject | forestry | es_ES |
dc.subject | middle english | es_ES |
dc.subject | medieval studies | es_ES |
dc.subject | medieval english literature | es_ES |
dc.subject | ecocriticism | es_ES |
dc.subject | source criticism | es_ES |
dc.subject | ecocritical theory | es_ES |
dc.subject | Sir Gawain and the Green Knight | es_ES |
dc.subject | Gawain-poet | es_ES |
dc.subject | Lord of the Rings | es_ES |
dc.title | The Forest Haven Episode: How Sir Gawain and the Green Knight’s Hautdesert Shaped The Lord of the Rings’ Caras Galadhon | es_ES |
dc.type | info:eu-repo/semantics/article | es_ES |
dc.rights.holder | © The Author(s) 2020. Published by Oxford University Press on behalf of the Association for the Study of Literature and Environment | es_ES |
dc.relation.publisherversion | https://doi.org/10.1093/isle/isaa193 | es_ES |
dc.identifier.doi | 10.1093/isle/isaa193 | |
dc.departamentoes | Filología Inglesa y Alemana y Traducción e Interpretación | es_ES |
dc.departamentoeu | Ingeles eta Aleman Filologia eta Itzulpengintza eta Interpretazioa | es_ES |