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dc.contributor.authorArriaga Sanz, Cristina
dc.contributor.authorCabedo Mas, Alberto
dc.contributor.authorRipollés Mansilla, Antoni
dc.contributor.authorMoliner Miravet, Lidón
dc.date.accessioned2024-05-29T14:53:00Z
dc.date.available2024-05-29T14:53:00Z
dc.date.issued2024-05-16
dc.identifier.citationSocial Sciences 13(5) : (2024) // Article ID 267es_ES
dc.identifier.issn2076-0760
dc.identifier.urihttp://hdl.handle.net/10810/68274
dc.description.abstractStarting in the middle of March 2020, various lockdown measures and degrees of confinement were put in place in most European countries as a result of the COVID-19 pandemic. Although this situation meant that more people were likely to experience poorer mental health, largely due to the imposition of social distancing measures, many individuals incorporated music into their coping routines to help improve their psychological well-being. Using a gender perspective, this study analyzes how individuals used music during lockdown and explores the differences between men’s and women’s views on the impact that listening to and making music has on their perceived level of well-being. A questionnaire, MUSIVID19, was administered to a sample of 1868 participants from all the autonomous regions in Spain. The results reveal that in the uses and perceptions of music, the stereotypes underlying the patriarchal system were also reproduced during confinement.es_ES
dc.description.sponsorshipThis research was funded by the Spanish Ministry of Science, Innovation and Universities, grant number PID 2020-116198GB-I00, and the Valencian Government, grant number CIACO/2021/051. The APC was funded by the Valencian Government, grant number CIACO/2021/051.es_ES
dc.language.isoenges_ES
dc.publisherMDPIes_ES
dc.relationinfo:eu-repo/grantAgreement/MICINN/PID2020-116198GB-I00es_ES
dc.rightsinfo:eu-repo/semantics/openAccesses_ES
dc.rights.urihttp://creativecommons.org/licenses/by/4.0/es/
dc.subjectgenderes_ES
dc.subjectmusices_ES
dc.subjectmusic perceptionses_ES
dc.subjectCOVID-19es_ES
dc.titleCOVID-19: Uses and perceptions of music during lockdown from a gender perspectivees_ES
dc.typeinfo:eu-repo/semantics/articlees_ES
dc.date.updated2024-05-24T13:05:10Z
dc.rights.holder© 2024 by the authors. Licensee MDPI, Basel, Switzerland. This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution (CC BY) license (https://creativecommons.org/licenses/by/ 4.0/).es_ES
dc.relation.publisherversionhttps://www.mdpi.com/2076-0760/13/5/267es_ES
dc.identifier.doi10.3390/socsci13050267
dc.departamentoesDidáctica de la Expresión Musical, Plástica y Corporal
dc.departamentoeuMusika, plastika eta gorputz adierazpidearen didaktika


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© 2024 by the authors. Licensee MDPI, Basel, Switzerland. This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution (CC BY) license (https://creativecommons.org/licenses/by/ 4.0/).
Except where otherwise noted, this item's license is described as © 2024 by the authors. Licensee MDPI, Basel, Switzerland. This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution (CC BY) license (https://creativecommons.org/licenses/by/ 4.0/).